{"title":"viaLibri","description":"","products":[{"product_id":"book-jackets-of-ismar-david","title":"The Book Jackets of Ismar David","description":"\u003cp\u003eRecently we had to design a typographic cover. We pulled out this book for inspiration and stole some ideas. Every single one was rejected by the publisher and in the end they picked the weakest, dumbest, flattest, most forgettable option. Selling books is much less maddening. . . . Anyway, this one rediscovers an important contribution to a popular field of graphic design and suggests that Ismar David’s calligraphic book jackets present a viable alternative to the current design approach. David belonged to a group of accomplished calligraphers who established themselves as jacket designers in New York in the 1950s—and his designs are distinguished from other work of the period as powerful and expressive. His style is informed by a thorough mastery of the typographic tradition yet looks remarkably fresh, even today. Of course, our client didn’t think so, but whatever.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":7135873007652,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/TheBookJacketsOfIsmarDavid.jpg?v=1770673099"},{"product_id":"thinking-in-script","title":"Thinking in Script","description":"\u003cp\u003eIn 1943, Edward Johnston was in tough shape. He was old, sick, and broke. A call went out the lettering, printing, and arts community to see if funds could be raised on his behalf. It was like a GoFundMe. Money was raised and Johnston was grateful. He wrote an 8-page letter of thanks to Paul Standard. 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Pure \u003cem\u003ejouissance\u003c\/em\u003e.\u003c\/p\u003e","brand":"Used Books","offers":[{"title":"Default Title","offer_id":7701441478692,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Suspects_8a17279c-3c22-47ff-8c18-53ef878eb63f.jpg?v=1774112389"},{"product_id":"cotta-los-libros-del-mirasol","title":"Cotta \u0026 Los Libros del Mirasol","description":"\u003cp\u003eJuan Ángel Cotta (1920–1962) was a talented young artist from Buenos Aires that charmed art critics from across the globe with his personal graphic style. In 1959, he was entrusted with the design of almost 120 book-covers for the Spanish-language series Los Libros del Mirasol which consisted of works from all over the world. Even if you can’t read Spanish, we bet you’ll recognize the authors and be able to figure what what the books are. Each cover is a fine example of universal design—or, universal design for those who are somewhat literary. Either way, it’s worth a look.\u003c\/p\u003e","brand":"Flecha Books","offers":[{"title":"Default Title","offer_id":11905418428452,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Cotta.jpg?v=1769368174"},{"product_id":"the-vignelli-canon","title":"The Vignelli Canon","description":"\u003cp\u003eWe grew up with Massimo Vignelli and didn't even know it. That’s probably true for most of us since he was one of the most influential designers of the 20th century and his work was (and is) ubiquitous. But at our house at 45 Bannan Drive, every morning we ate cereal out of his Heller bowls. (Plates and mugs were used for lunch. Something more mundane [No offense, Mom.] was used for dinner.) These 112 pages do not simply contain a survey of \u003cspan\u003eVignelli’s\u003c\/span\u003e work. It’s also a succinct summation of his methods and philosophy.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":30340144824356,"sku":"","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/VignelliCanon.jpg?v=1570120748"},{"product_id":"with-respect-to-rfd","title":"With Respect . . . to RFD","description":"\u003cp\u003eThis book is a \u003cem\u003efestschrift\u003c\/em\u003e—a celebratory collection of works—honoring the 85th birthday of Raymond Franklin DaBoll. The volume serves as an essential record of DaBoll’s immense contribution to the letter arts and DaBoll’s mastery of the italic style. It’s filled with his calligraphic notes, correspondence, and iconic commercial designs that successfully integrated hand-lettering with modern typography. Rather than a dry academic text, the book functions as a visual dialogue between DaBoll and his peers, showcasing the disciplined freedom that defined his career.\u003c\/p\u003e","brand":"LH2","offers":[{"title":"Default Title","offer_id":31279114518592,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/DaBoll.jpg?v=1775673756"},{"product_id":"eye-no-38","title":"Eye, No. 38","description":"\u003cem\u003eEye\u003c\/em\u003e, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture. This thirty-eighth issue contains opinions, reviews, and articles about Duchamp\/Hamilton, reduction, Bruce Mau, and self-expression \u0026amp; promotion.","brand":"Michael McPherson","offers":[{"title":"Default Title","offer_id":31455072682048,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/EyeNo38.jpg?v=1596302854"},{"product_id":"eye-no-45","title":"Eye, No. 45","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEye\u003c\/em\u003e\u003cspan\u003e, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture. This forty-fifth issue contains opinions, reviews, and articles about Chris Ware, OpenType, Jean-François Porchez, Athens, and J. Abbott Miller.\u003c\/span\u003e","brand":"John Kramer","offers":[{"title":"Default Title","offer_id":31455296716864,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/EyeNo45.jpg?v=1596307577"},{"product_id":"why-stamps","title":"Ivan Chermayeff: Why Stamps?","description":"\u003cp\u003eA good graphic designer pays attention to small things, and there are few things smaller than postage stamps. Ivan Chermayeff paid attention. For almost fifty years the acclaimed graphic designer made collages—and in those collages stamps and mail played an important role. Envelopes are heads. Stamps are eyes and lips. However, one could be forgiven for never having noticed this, as the whole in Chermayeff’s collages is greater than the parts.\u003c\/p\u003e\n\u003cp\u003eIn this limited edition of \u003cem\u003eWhy Stamps?\u003c\/em\u003e Chermayeff calls attention to the parts with a brief essay on postage stamps and a selection of fourteen collages which use stamps and mail to the best possible effect. Also included are two of Chermayeff’s smallest cut-paper collages: Stamps for the USPS and Royal Mail.\u003c\/p\u003e","brand":"Kat Ran Press","offers":[{"title":"Default Title","offer_id":31657998254144,"sku":"","price":155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/WhyStamps.jpg?v=1587592213"},{"product_id":"visual-design-in-action","title":"Visual Design in Action","description":"\u003cp\u003ePublished in 1961, Ladislav Sutnar’s \u003cem\u003eVisual Design in Action\u003c\/em\u003e is one of the most groundbreaking books on modern graphic design. We swiped that sentence from the description of the recent facsimile. This is not the facsimile, though. It’s the rarely-seen original—in exceptional condition, inscribed by Sutnar’s son, Rad. \u003cem\u003eVisual Design in Action\u003c\/em\u003e illustrates the power of design and features astonishingly contemporary graphics, advertisements and corporate identities for renowned brands. (We swiped that sentence, too.) This is a seriously stunning, useful, and inspirational book. So good. So good. So good. And this is the nicest copy we’ve ever seen.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":34707982942357,"sku":"","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/VisualDesignInAction.jpg?v=1592076171"},{"product_id":"eye-no-9","title":"Eye, No. 9","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eEye\u003c\/em\u003e, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture. This ninth issue contains opinions, reviews, and articles about Max Bittrof, Derek Birdsall, video packaging, Roman Cieslewicz, and ugly design.\u003c\/p\u003e","brand":"John Kramer","offers":[{"title":"Default Title","offer_id":35294302109845,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/EyeNo9.jpg?v=1595265847"},{"product_id":"the-engravers-cut-hilary-paynter","title":"The Engraver’s Cut: Hilary Paynter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe printed two of Paynter’s engravings in our youth. They were no fun. Sebastian Carter did a humbling job on this—and it’s an exquisite showcase of modern British wood engraving that represents a pinnacle of fine press collaboration between The Primrose Academy and Sebastian’s Rampant Lions Press. The volume features twenty-seven wood engravings hand-selected by Paynter, printed directly from the original blocks to preserve the razor-sharp precision of her burin work. Known for her complex architectural forms and socio-political satire, Paynter’s work in this collection ranges from atmospheric landscapes to intricate psychological studies. As a technical artifact, the book is a masterclass in relief printing, demonstrating the tactile depth and tonal range achievable through traditional letterpress methods on fancy paper that we hear is no longer made but don’t care enough about to look up to confirm.\u003c\/p\u003e","brand":"Used Books","offers":[{"title":"Default Title","offer_id":35747010085013,"sku":"","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Paynter.jpg?v=1776802385"},{"product_id":"matthew-carter-a-z-portfolio","title":"Matthew Carter: a–z portfolio","description":"\u003cp\u003eThis boxed portfolio of prints by Matthew Carter contains the twenty-six lowercase letters of the Latin alphabet. Etched into copper plates and hand-printed by James Stroud, these are Matthew’s favorite letters from his own typefaces. Some are from existing faces, some from type designs still in development. The portfolio includes an X-page booklet in which Matthew writes about these designs and where they came from—and these short essays are as fascinating as the prints are beautiful. We’re running out of superlatives, but this is truly a magnificent collection.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNote: If you’d prefer a smaller taste, \u003ca href=\"https:\/\/ksmallgallery.com\/collections\/online\/products\/matthew-carter-a-z-diptych\"\u003econsider Matthew’s \u003cem\u003ea+z\u003c\/em\u003e diptych\u003c\/a\u003e.\u003c\/p\u003e","brand":"Center Street Studio","offers":[{"title":"Default Title","offer_id":36149861023893,"sku":"","price":20000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/MCPortfolio.jpg?v=1599341860"},{"product_id":"the-work-of-stephen-harvard","title":"The Work of Stephen Harvard: A Life in Letters","description":"\u003cp\u003eStephen Harvard (1948–1988) was the consummate craftsman: poised, assured, in total command of his materials. With a sure sense of form that invested his work with a distinctive artistry, he chose to see himself as a craftsman, gaining strength from the directness and honesty of this conception. In a short career he accomplished much, touched many, and left a significant body of work. He designed books and typefaces, carved stones, and made charming illustrations. This books tells his story and is filled with his work and maxims—and the maxims of men disclose their hearts.\u003c\/p\u003e","brand":"BK","offers":[{"title":"Default Title","offer_id":36354009956501,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/StephenHarvard.jpg?v=1774114250"},{"product_id":"philip-grushkin-a-designer-s-archive","title":"Philip Grushkin: A Designer’s Archive","description":"\u003cp\u003ePhilip Grushkin (1921–1998) was a calligrapher, book jacket designer, and book designer. He studied calligraphy and book design under George Salter at Cooper Union, graduating in 1941. After a stint in the United States Army as a cartographer during the war, he set up as a freelance book jacket designer in New York. In 1956 Grushkin became an assistant book designer to Abe Lerner at World Publishing. Two years later he moved to Harry N. Abrams, Inc., the pioneering art book publishers, where he became art director and eventually vice president. The most famous book he designed while at Abrams was \u003cem\u003eThe History of Art\u003c\/em\u003e by H.W. Janson (1962). Grushkin left Abrams in 1969 and spent the remainder of his life as a freelance book designer and publishing consultant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis catalogue of the Philip Grushkin archives contains an essay on Grushkin’s life and career and a generous helping of images of his work as a book jacket designer, including roughs, comps and mechanicals. The archives have been acquired by the Rare Book and Manuscript Library at Columbia University. It’ll be a long while until you can get in there to see the collection. This book will whet your appetite and give you one more reason to look forward to the end of the current global pandemic.*\u003c\/p\u003e\n\u003cp\u003e*This description was written in November of 2020.\u003c\/p\u003e","brand":"Paul Shaw","offers":[{"title":"Default Title","offer_id":37542741737645,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Grushkin_jpg.jpg?v=1605562574"},{"product_id":"otto-treumann-graphic-design-in-the-netherlands","title":"Otto Treumann: Graphic Design in the Netherlands","description":"\u003cp\u003eOtto Treumann (1919–2001) was a major pioneer in the modernization of graphic design in the Netherlands. Inspired by Swiss typography and Bauhaus aesthetics, Treumann’s body of work combines easy-to-read visual elements with iconoclastic color treatment, enhanced by his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. Based on materials from the Otto Treumann Archive at the Stedelijk Museum and designed by Irma Boom, this volume surveys Treumann’s career. It’s a good read and it’s loaded with pics. A book to keep close by at all times. No joke.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":38111250088109,"sku":"","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/OttoTeumann.jpg?v=1774044271"},{"product_id":"werner-bunz-schrift-bilder-graphik-sculpturen","title":"Werner Bunz: Schrift Bilder Graphik Sculpturen","description":"\u003cp\u003eWe recently took in a good stash of posters from the Klingspor Museum in Germany. As we flipped through them, one took our breath away. This one. What a beauty. The rubbish photograph we took doesn’t do it justice. We didn’t know anything about Werner Bunz but have spent the afternoon digging deep. (Or, as deep as Google and Google Translate will allow.) This is a poster from the 1979 exhibition of Bunz’s work as a graphic- and lettering artist. If you missed the show, put this on your wall and tell your friends you saw it.\u003c\/p\u003e","brand":"J142E","offers":[{"title":"Default Title","offer_id":39274980278445,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Bunz.jpg?v=1614461529"},{"product_id":"10-jahre-otto-rohse-presse","title":"10 Jahre Otto Rohse Presse","description":"\u003cp\u003eWe recently took in a good stash of posters from the Klingspor Museum in Germany. As we flipped through them, one made us want to speak rooster. This one. What a beauty. The rubbish photograph we took doesn’t do it justice. We didn’t know anything about Otto Rohse or his press, but have spent the afternoon digging deep. (Or, as deep as Google and Google Translate will allow.) This is a poster from the 1973 exhibition of Rohse’s work as a printer, engraver, and publisher. If you missed the show, put this on your wall and tell your friends you saw it.\u003c\/p\u003e","brand":"J142E","offers":[{"title":"Default Title","offer_id":39275045355693,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Rohse.jpg?v=1614463362"},{"product_id":"signs-of-alice-wycinanki","title":"Signs of Alice + Wycinanki","description":"\u003cp\u003eLike a Reese’s Peanut Butter Cup, this poster brings together two great things that go great together: The posters of Alice (Koeth) and wycinanki (the Polish folk art). Granted, the two are largely unrelated, but they were brought together by Howard Glasser in this 1983 poster for a joint exhibition at what is now UMass-Dartmouth. Leaving aside wycinanki (about which we know almost nothing), let’s focus on Alice, the respected calligrapher who hand-lettered innovative and remarkable signs for the Morgan Library. You’ve got \u003ca href=\"https:\/\/www.godine.com\/book\/alice\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ethe book about her\u003c\/a\u003e, now get the poster. (Also, Howard Glasser was no slouch, either, and an important figure in Massachusetts lettering.)\u003c\/p\u003e","brand":"J142E","offers":[{"title":"Default Title","offer_id":39445401010349,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/AlicePoster_copy.jpg?v=1616252034"},{"product_id":"j-van-krimpen-on-designing-and-devising-type","title":"J. Van Krimpen on Designing and Devising Type","description":"We learned about printing and typography in a foundry that could cast just about any typeface we wanted—except those by Jan van Krimpen. So, his were the types we wanted most of all. (They had the mats for Van Dijck, but, meh.) Anyway, coveting what one can’t have can either make a serial killer or an admirer. 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Published by the Bund Deutscher Buchkünstler, the catalog showcases the winning and selected entries from a pivotal exhibition that sought to redefine high-quality bookmaking in the post-war era. It eatures meticulous typographic layouts and illustrations from influential designers of the time and serves as a bridge between classical craftsmanship and the emerging modernist trends in European publishing, making it a key reference for anyone studying the evolution of German typography and structural book design. It’s all in German so you probably won’t be able to read much of it, but the pics are well worth the measly $15 we’re asking for it.\u003c\/p\u003e","brand":"VAB","offers":[{"title":"Default Title","offer_id":39501497598125,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/GermanBookArt.jpg?v=1776802352"},{"product_id":"gedanken-und-probleme-beim-entwurf-von-werkschriften-zapf","title":"Gedanken und Probleme beim Entwurf von Werkschriften","description":"\u003cp\u003eHave you ever considered thoughts and problems in designing text typefaces? Hermann Zapf did. And this is a booklet that described what he had to say on the matter. Scan it and feed it to a human or computerized translator to see what he says. (We actually did the latter, but, per usual, it didn’t do it exactly as we wanted and after a few requests to change things we lost interest. It seemed better to give no translation than a potentially-wrong translation.)\u003c\/p\u003e","brand":"VAB","offers":[{"title":"Default Title","offer_id":39501510213805,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Gedanken.jpg?v=1770415924"},{"product_id":"schrift-ecriture-lettering-the-development-of-european-letter-types-carved-in-wood","title":"Schrift Ecriture Lettering: The Development of European Letter Types Carved in Wood (Adrian Frutiger)","description":"\u003cp\u003ePicture it: A 23-year-old Adrian Frutiger needs to graduate from Kunstgewerbeschule Zürich (University of the Arts in Zurich). So what does he do? He used five short paragraphs about the history of occidental lettering written by one of his professors (because he was, apparently, a suck-up) and cut in nine beechwood blocks fifteen approaches to lettering, from the Greek Lapidary Style to the Humanistic Cursive. Then he had that text printed from metal type in German, French, and English along with the woodcuts. It’s bound in such a way as to allow one to see the whole history of lettering (in the West) at one time in a an almost-9-foot-wide spread. A beautiful thing and a nice little manmade miracle of carving, lettering, and printing.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":40381538336941,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/SchriftEcritureLettering.jpg?v=1765645612"},{"product_id":"professor-dr-h-c-walter-tiemann","title":"Professor Dr. h.c. Walter Tiemann","description":"\u003cp\u003eOn September 12, 1951, Walter Tiemann died in Leipzig after a long illness. With him, the light of one of the most powerful figures in 20th-century German book and type design went out. Germany still could boast about its excellent type and book designers among the younger generation, but after the passing of Peter Behrens, Rudolf Koch, E.R. Weiss, and now Walter Tiemann, the light was a little dimmer. This book was printed as a tribute in 1953. Tiemann never got to see it (because he was dead) but it’s a lovely thing and a good introduction to his work. Even if you can’t read German, there’s still much to see and learn. (And our phone just translated the first two pages for us. You can easily read this with the $1,000 super-computer in your pocket.)\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":40426056384685,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Tiemann_5f2fe5e5-3d70-4aab-b9d0-32cb4169fcc2.jpg?v=1775674020"},{"product_id":"durer-s-1511-drawing-of-a-press-and-printer-tb","title":"Dürer’s 1511 Drawing of a Press and Printer","description":"Albrecht Dürer had his finger on the pulse. Just a few short decades after Gutenberg did his thing, Dürer was making plans for pressrooms. His lovely drawing is reproduced here via collotype and is accompanied by an essay by Ray Nash. Is this much ado about nothing? Perhaps. But it’s a beautiful piece of New England printing. And it’s interesting. And there were only 550 copies printed. Collect them all by starting with this one.","brand":"TBB","offers":[{"title":"Default Title","offer_id":40471055696045,"sku":"","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Durer2.jpg?v=1774113942"},{"product_id":"jean-widmer-a-devotion-to-modernism","title":"Jean Widmer: A Devotion to Modernism","description":"\u003cp\u003eIf you were interested in the work of Jean Widmer, you could read this book and, um, that’s it. Thank goodness for the Lubalin Center and Cooper Union for publishing this exceptional showing of his work with an interview that introduces his approaches and philosophies. Not only do we see a lot of good work in here, but we see hints of other designers, too. Either he was looking at them or they were looking at him. We’d guess the latter. You’ll have to read the book to find out which is the right answer. \u003c\/p\u003e","brand":"Geoffrey Fried","offers":[{"title":"Default Title","offer_id":42094501331184,"sku":"","price":90.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Widmer.jpg?v=1732566034"},{"product_id":"a-letter-from-romeyn-de-hooghe","title":"A Letter from Romeyn de Hooghe (prospectus)","description":"We’re not sure we’ve ever seen a copy in real life of the book for which this prospectus was made. But here’s what we can see in real life: This spectacular \u003cem\u003eR\u003c\/em\u003e lettered by John E. Benson and engraved here by Leonard Baskin. What a friggin’ beautiful thing. If we were the tattooing type, we might like to have this on our person—especially since our mum’s initials are RR. Anyway, it’s a lovely little thing suitable for framing and\/or tattooing.","brand":"Hosea Baskin","offers":[{"title":"Default Title","offer_id":42123003756784,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/BensonR_copy.jpg?v=1641420659"},{"product_id":"augustino-da-siena","title":"Augustino da Siena","description":"\u003cp\u003eTo honor Alfred Fairbank on his eightieth birthday in 1975, David R. Godine in the United States and The Merrion Press in England collaborated in publishing this facsimile of the rare and superb writing manual of Augustino da Siena. This is the last of the great writing manuals to be cut in wood, and to examine its place in the continuum of calligraphic manuals and to elucidate its text, Alfred Fairbank, the grand master of calligraphers, has written a scholarly introduction. This first modern critical edition has been prepared from the British Museum copy of the 1568 edition, of which the only other known copy is in Florence. As were researching this we thought, oh, we’ll need to get a copy (or borrow a copy) of this book when we do a show about alphabets cut in wood. Then in writing this we learned that probably won’t be possible. . . .\u003c\/p\u003e","brand":"AC360","offers":[{"title":"Default Title","offer_id":42179890151664,"sku":null,"price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/AugustinoDaSiena.jpg?v=1769635535"},{"product_id":"old-type-faces-at-tri-arts-press","title":"Olde Type Faces at Tri-Arts Press","description":"Allow us to quote \u003cspan style=\"text-decoration: line-through;\"\u003elazily\u003c\/span\u003e liberally from the introduction: “Olde has a very individual charm. Weathered wood siding, or a work-smoothed handle, the patina of silver that only use and care can impart. The qualities that endear these things can also be found and accurately incorporated into today’s typography—genuine, straight from the original.” The types shown in this booklet are indeed old, having been cast roughly between 1870–and the 1920s. (Although we spotted Profil in there and that’s from 1947, so don’t believe everything we quote.)","brand":"Used","offers":[{"title":"Default Title","offer_id":42200107122928,"sku":"","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/OldeTypeFaces.jpg?v=1676743339"},{"product_id":"rudolf-koch-letterer-type-designer-teacher-1","title":"Rudolf Koch: Letterer, Type Designer, Teacher","description":"\u003cp\u003eThis is a book we are constantly turning to because Rudolf Koch was one of the foremost typographers, type designers, and letterers in Germany during the early 20th century—and we are constantly hunting for and offering his work. His contributions to those aforementioned crafts are still being studied around the world and this important biographical study of Koch and his work is the first authoritative reference to appear in English. We keep our copy of this book next to our \u003cem\u003eChicago Manual of Style.\u003c\/em\u003e That’s how useful this book is. In fact, earlier today we’d impulsively bought—sight-unseen—something Koch-related and were feeling uncomfortable about it, like it might not have actually been Koch’s work. But, then as we were photographing this book we came across a reference to what we’d previously thought was suspicious. See? This is a useful book.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":42474013982960,"sku":"","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/RudolfKoch_Cinamon.jpg?v=1769633674"},{"product_id":"caledonia-a-new-printing-type","title":"Caledonia: A New Printing Type","description":"It’s funny that the cover of this specimen of Caledonia has not one character set in the face it’s meant to introduce to the world. True, Caledonia is a text face, but still. Anyway, a nice showing of a Linotype workhorse. And just a nice thing by W.A. Dwiggins.","brand":"Used Books","offers":[{"title":"Default Title","offer_id":42569287729392,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/CaledoniaBlue.jpg?v=1744897530"},{"product_id":"a-24-page-book","title":"A 24-Page Book","description":"\u003cp\u003eDid you know our favorite number is 24? We like it because it’s divisible by 1, 2, 3, 4, 6, 8, and 12. So that’s neat. Anyway, here’s a 56-page counting book. Twenty-four celebrated designers have each illustrated a single number between and including 1 and 24. Paul Rand designed the cover. In between you’ll see illustrations by the likes of Lou Dorfsman, Jerry Craw, Ivan Chermayeff, Bradbury Thompson, Milton Glaser, Hermann Zapf, and so on. A neat thing.\u003c\/p\u003e","brand":"CJB","offers":[{"title":"Default Title","offer_id":42601395585264,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/24-pageBook.jpg?v=1774038529"},{"product_id":"typography-papers-9","title":"Typography papers 9","description":"\u003cp\u003eThis final issue of the series of \u003cem\u003eTypography papers\u003c\/em\u003e opens with a beautifully illustrated article by the type designer Gerard Unger on “Romanesque” letters. A further installment of Eric Kindel’s pathbreaking history of stencil letters is published in contributions by him, Fred Smeijers, and James Mosley. Maurice Göldner writes the first history of an early twentieth-century German typefounder, Brüder Butter. William Berkson and Peter Enneson recover the notion of “readability” through a history of the collaboration between Matthew Luckiesh and the Linotype Company. Paul Luna discusses the role of pictures in dictionaries. Titus Nemeth describes a new form of Arabic type for metal composition. The whole gathering shows the remarkable variety and vitality of typography now—or, back in 2013. Loaded with useful information and good stories about unknowable things. It’s actually everything this place tries to be.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":42735054258416,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/TypographyPapers9.jpg?v=1776802101"},{"product_id":"design-in-business-printing","title":"Design in Business Printing","description":"\u003cp\u003eThere is a keen appreciation today (or, there was when this book was published in 1952) of the importance of design for industry. A proper understanding of the materials and methods employed, and ultimate use of the article which is produced, has considerably enhanced the value of craftsmanship. This book was written by Herbert Spencer as a contribution towards a better realization of the functions of the typographer. It’s a personal exposition, and clearly shows the value of determining the purpose and the correct treatment of each article of printing. Even if the bulk of the things illustrated and described would never be printed today, there are digital equivalents that will keep this book relevant for a long time. There’s a lot to learn in this one and Herbie Spencer knew what he was talking about. We should probably put together a show of all the amazing things Spencer worked on. Or, you can do it. Let us know how it goes.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":42834023055600,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Design-in-Business-Printing.jpg?v=1775673511"},{"product_id":"david-r-godine-publisher-we-are","title":"David R. Godine, Publisher: We Are [. . .]","description":"\u003cp\u003eIt’s been thirty-two years since David Godine \u0026amp; Co. marked twenty years of publishing. But this poster still holds up. Designed by Louise Fili with an illustration by Fortunato Depero and a classic Koch quote about why we do what we do, this one has got design history, printing history, and Boston publishing history all rolled into one—which is fitting because that’s how we’ll send this to you: Rolled.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/neadgrb4kok0ioo\/WE_ARE.jpg?dl=0\"\u003eDownload a hi-res photo to inspect for yourself »\u003c\/a\u003e\u003c\/p\u003e","brand":"Sarah Creighton","offers":[{"title":"Default Title","offer_id":42890029662448,"sku":"","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Godine-Poster-2.jpg?v=1653770438"},{"product_id":"gute-form","title":"Gute Form","description":"\u003cp\u003eHere’s a stunning little book about stunning objects of all sizes. In 1965 there was an exhibition of German industrial design in London. It was largely arranged by the Rat für Formgebung (German Design Council), a foundation committed to a concept of design capable of creating both cultural and economic value. But that’s not what interests us at present. On these pages are tools and products both industrial and for the home. They are, largely, beautiful. There is nothing to add and nothing to take away. Photos of these items are largely presented without commentary. (Perhaps we should follow their lead. OK. We’re stopping now.)\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":43377747656944,"sku":"","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/GuteForm.jpg?v=1745085468"},{"product_id":"25-kkw-wfp-asp","title":"25 KKW WFP ASP","description":"\u003cp\u003eHere’s a deep cut for collectors of Polish design that documents the rigorous typographic and visual communication history of the Academy of Fine Arts in Kraków from 1968 to 1993. The publication is an essential record of the “Kraków School,” which favored a structuralist, systems-oriented approach to graphic design. Its minimalist yellow cover—defined by a precise grid—mirrors the internal contents, which showcase pioneering work in information design, poster art, and corporate identity. For designers and historians, this one represents a critical moment where traditional Polish craftsmanship integrated with the formalist principles of the modern visual communication era. Rare and loaded with clues.\u003c\/p\u003e","brand":"Ewa Lenk","offers":[{"title":"Default Title","offer_id":43399527301360,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/Polish.jpg?v=1776802201"},{"product_id":"mohawk-paper-graphics-collection-the-graphic-art-of-paul-rand","title":"Mohawk Graphics Collection: The Graphic Art of Paul Rand","description":"\u003cp\u003eThere was a time when Mohawk Papers would put together portfolios with the work of a notable designer to promote their papers. And this time that notable designer was Paul Rand. Eighteen leaves here show a few classic Rands, a few Rand surprises, and a few examples of Rand as a trenchant observer of our world. This thing would make a pretty good \u003ca href=\"https:\/\/ksmallgallery.com\/search?q=quicklazyexhibit\"\u003eQuick Lazy Exhibit\u003c\/a\u003e—or, a great show-and-tell piece to use with students for years to come. Surprisingly uncommon (and only in three libraries). \u003c\/p\u003e","brand":"Ewa Lenk","offers":[{"title":"Default Title","offer_id":43407154118896,"sku":"","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/RandMohawk.jpg?v=1662232079"},{"product_id":"the-art-and-science-of-typography-will-burtin","title":"The Art and Science of Typography [Will Burtin]","description":"Part poster. Part brochure. Either way, it was made by Will Burtin for a Type Directors Club seminar and exhibition in Silvermine, Connecticut, in April of 1958. The copy on the back details what was probably a pretty progressive (for its time) event. Lots of thoughtful talk about looking beyond the West. And they had Burtin design this handsome thing. A nice piece of design history.","brand":"PMcC","offers":[{"title":"Default Title","offer_id":43604934000880,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/TheArtandScienceofTypography_2.jpg?v=1668894796"},{"product_id":"30-jahre-plakat-kunst","title":"30 Jahre Plakat Kunst","description":"\u003cp\u003eThe great tradition of poster art in Basel began around the turn of the twentieth century and was noted for such distinguished names as Burkhard Mangold, Niklaus Stocklin, Peter Birkhäuser, Donald Brun, Herbert Leupin, and others, who received their training in Basel and worked there for Swiss and foreign clients. Surprisingly enough, with the exception of Burkhard Mangold and Donald Brun, none of these poster designers taught at the AGS in Basel, an institution which had evolved out of a drafting school for craftsmen, founded in 1796. In 1946 Armin Hofmann was hired, first as a replacement teacher, from 1950 on as a teacher of graphic arts and in 1968 as head of the specialist class for graphic arts, of the advanced training class and of the School of Design. This is the story of what happened next as it covers thirty years of Baselian posters made in the 1950s into the 1980s.\u003c\/p\u003e","brand":"PMcC","offers":[{"title":"Default Title","offer_id":43604985544944,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/30YearsofPosterDesign.jpg?v=1774038285"},{"product_id":"catalog-design-progress-advancing-standards-in-visual-communication-1","title":"Catalog Design Progress: Advancing Standards in Visual Communication (Sutnar, 1950)","description":"\u003cp\u003eLong before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer \u003ca href=\"https:\/\/ksmallgallery.com\/search?q=sutnaritem\"\u003eLadislav Sutnar\u003c\/a\u003e. In 1950, Sutnar and architect K. Lonberg-Holm published\u003cem\u003e Catalog Design Progress\u003c\/em\u003e, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This is a copy of the original edition and is remarkable example of graphic dynamism and rational order. This thing is uh-mazing.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":43671188340976,"sku":"","price":549.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Sutnar_CatDesAct.jpg?v=1669409720"},{"product_id":"type-a-journal-of-the-association-typographique-international-vol-2-no-1-1998","title":"Type: A Journal of the Association Typographique International, Vol 2, No 1, 1998","description":"\u003cp class=\"p1\"\u003eYou know what’s not easy to look up? A journal called “Type.” But what is there to look up really? Just skim the table of contents and see all the important names and interesting ideas represented. And it was designed by Jack Stauffacher.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":43755118002416,"sku":"","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/AtypeI.jpg?v=1774114508"},{"product_id":"marees-gesellschaft-elfte-reihe-der-drucke-april-1925","title":"Marees Gesellschaft Elfte Reihe der Drucke April 1925","description":"\u003cp\u003eNow, we know you don’t care a lick about what books the Marees Gesellschafte was going to publish in 1925. That was over 100 years ago. You already missed out. But why this prospectus of forthcoming Marees Gesellschafte publications is interesting is that the cover, title page, and initials were lettered by E.R. Weiss. The cover, for instance, is reproduced in just about every book and article about Weiss. But this is the real thing. A thing to spend time with and lettering worth contemplating. It also has a nice bookplate for Arthur and Thekla Müller, notable German-Jewish patrons and collectors in Berlin during the early 20th century. \u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":43805029073136,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/ERWeiss.jpg?v=1776801803"},{"product_id":"the-fat-and-the-lean-american-wood-type-in-the-19th-century","title":"The Fat and The Lean: American Wood Type in the 19th Century","description":"\u003cp\u003eIn the early 1980s, the National Museum of American History acquired the Morgan family’s remarkable collection of 19th century type and brought it together with several related collections already at the Museum. Then they put up an exhibition of these collections. This is the modest brochure published to commemorate the acquisition, the collection, and the exhibition.\u003c\/p\u003e","brand":"Veatchs","offers":[{"title":"Default Title","offer_id":44039897317616,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/FatandLean.jpg?v=1774113976"},{"product_id":"beardsley-s-second-anniversary-celebration-lance-hidy","title":"Beardsley’s Second Anniversary Celebration (Lance Hidy)","description":"\u003cp\u003ePicture this: \u003ca href=\"https:\/\/lancehidy.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eLance Hidy\u003c\/a\u003e’s first-ever poster*—and it features our old friend \u003ca href=\"https:\/\/ksmallgallery.com\/products\/thistle-seed-in-the-wind\"\u003eDavid P. Bourbeau\u003c\/a\u003e serving up a goblet of water with warmth and panache. It almost makes us want to get ourselves a vest. (We already have \u003ca href=\"https:\/\/www.shop-foglinen.com\/collections\/aprons\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ean apron\u003c\/a\u003e.) With Lance’s handsome lettering and inviting composition, this 4-color silkscreen is a \u003cem\u003etotal\u003c\/em\u003e charmer.\u003c\/p\u003e\n\u003cp\u003e*In \u003cem\u003eLance Hidy’s Posters\u003c\/em\u003e (1983), Lance refers to this as his first poster. There was \u003ca href=\"https:\/\/lancehidy.com\/wp-content\/uploads\/2020\/05\/REYNOLDS.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ean earlier poster\u003c\/a\u003e, though, from 1976, announcing a lecture by Lloyd Reynolds. We’re sure he’s told us why the Beardsley’s poster is\/was considered his first, but we’ve long-since forgotten the reason. Lance would design \u003ca href=\"https:\/\/lancehidy.com\/wp-content\/uploads\/2020\/05\/003-Beardsley-Moser.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eanother poster for Beardsley’s\u003c\/a\u003e which featured Barry Moster. And then Barry Moser designed at least three of his own.\u003c\/p\u003e\n\u003cp\u003eFurther Note: We’re not entirely sure how we’ll ship this, so unless you come pick it up, know that it might take us a spell to get this packed securely.\u003c\/p\u003e","brand":"Carol J. Blinn","offers":[{"title":"Default Title","offer_id":44049740398832,"sku":"","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Beardsleys.jpg?v=1682186211"},{"product_id":"thistle-seed-in-the-wind","title":"Thistle Seed in the Wind (Baskin)","description":"\u003cp\u003eThis one hits all the marks: \u003ca href=\"https:\/\/ksmallgallery.com\/search?q=LeonardBaskin\"\u003eLeonard Baskin\u003c\/a\u003e (engraving), Suzanne Moore (original calligraphy), and our old friends Dan Keleher (printing), and \u003ca href=\"https:\/\/ksmallgallery.com\/collections\/online\/products\/beardsley-s-second-anniversary-celebration-lance-hidy\"\u003eDavid P. Bourbeau\u003c\/a\u003e (commissioner). (We know Suzanne, too, but we’ve not seen her in ages and doubt she remembers us.) Anyway, this was printed and lettered to mark the tenth anniversary of David’s Thistle Bindery, a place we spent tons of time in our youth. And now allow us to quote extensively from the \u003ca href=\"https:\/\/www.rmichelson.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eR. Michelson Gallery\u003c\/a\u003e description of this: “The thistle engraving was commissioned by David Bourbeau, artist, bookbinder, and owner of the Thistle Bindery. As David told the story, Baskin had hastily promised him a wood engraving as repayment for a favor even though he had stopped doing engravings years before. Regretting his promise and after may attempts to get out of it, under David’s insistence, Baskin inevitably relented and produced this wonderful thistle for David’s broadside to go with Robert Francis’s poem.” We could’ve written that ourselves because it was a story David told us a zillion times. He was a master bookbinder and a master talker.\u003c\/p\u003e","brand":"Carol J. Blinn","offers":[{"title":"Default Title","offer_id":44049775198448,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/products\/Thistle.jpg?v=1682191089"},{"product_id":"idea-document","title":"Idea Document: On the Shoulders of Giants","description":"\u003cp\u003eThis one is from a compilation book series that reprinted articles published in \u003cem\u003eidea\u003c\/em\u003e magazine. The editors selected thirty articles about Japanese typefaces and typography, along with their take on Latin types and Western typography, printing, and publishing. This one has all sorts of clues to things Japanese and Western. It’s totally worth digging into it. Be the first (and only) on your block to get this book.\u003c\/p\u003e","brand":"JcMV","offers":[{"title":"Default Title","offer_id":44062258462960,"sku":null,"price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/IdeaDocument.jpg?v=1775671528"},{"product_id":"helvetica-forever-story-of-a-typeface","title":"Helvetica Forever: Story of a Typeface","description":"\u003cp\u003eDesigned in 1957, Helvetica is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity—a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. This book retraces Helvetica’s first fifty years, compares it to the well-known sans serif types of the twentieth century, and examines the phenomenon of its unparalleled spread. The documentation is based on the achievements and archive of Alfred Hoffmann, the former director of the Haas’sche Schriftgiesserei, where, in conjunction with Max Miedinger and Eduard Hoffmann, Helvetica was developed. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields—from signal design to party flyers. A good thing to have around.\u003c\/p\u003e","brand":"MC5","offers":[{"title":"Default Title","offer_id":44076896551152,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/HelveticaForever_19b17de2-4cb2-485b-a5c2-5bd0e24fcbc1.jpg?v=1749329951"},{"product_id":"karl-gerstner-typographisches-memorandum","title":"Karl Gerstner: Typographisches Memorandum","description":"\u003cp\u003eThis special issue of \u003cem\u003eTypografische Monatsblätter\u003c\/em\u003e features 35 pages dedicated to Karl Gerstner and marked the end of his work as a designer and typographer. He was dedicating himself to art. Gerstner wrote that whereas his seminal \u003cem\u003eCompendium for Literates\u003c\/em\u003e contained theory, the pages of the this memorandum showed those theories in practice. So, very special indeed. And it’s loaded with old graphic ads and a showing of typographic posters. From the library of Inge Druckrey.\u003c\/p\u003e","brand":"I241D","offers":[{"title":"Default Title","offer_id":44102037537008,"sku":"","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/7040\/9508\/files\/TMGerstner.jpg?v=1774112790"},{"product_id":"the-art-of-the-type-specimen-in-the-twentieth-century-id","title":"The Art of the Type Specimen in the Twentieth Century","description":"\u003cp\u003eThis book was created as the record of an exhibition held at the ITC Center in New York in the spring of 1993. It was intended to be both an \u003cem\u003eaide-mémoire\u003c\/em\u003e of that exhibition, and also a taste of what was exhibited. On display (and in this book) were type specimens that are not only aesthetic but reflect the working practices of designers throughout the twentieth century. An excellent showing of specimens and scholarship. 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