Renard

How have we never used Fred Smeijers’s Renard? The price might be one reason. It’s not inexpensive. It’s priced reasonably. We suppose we’ve just not had a good reason to use it. But as we look at this broadside specimen, we are charmed. It’s old, but still fresh. We just got out of our chair to see if Fred’s Counterpunch is set in Renard. (It is. And it looks really handsome.) Anyway, an uncommon piece of paper suitable for showing off an uncommon typeface.